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You may login with either your assigned username or your e-mail address. If you look at the six knobs that control the VCO and VCF modulation amounts, you'll see that they have names such as MG/T.Ext and EG2/Ext. Sideward play on small dials. There were four accessory units to go with these. Given the popularity of the 'T's and their descendants, it's possible that the MS20 has produced, in disembodied fashion, some of the most successful sounds of the modern era. "The biggest advantage of the MS-20 mini over the original is the addition of a MIDI In port on the back and MIDI over USB". MIDI: USB In and Out, five-pin DIN In. The Mini's front panel is only 86 percent of the size of the original but Korg have preserved all its original (and occasionally baffling!) A faithful resurrection of the MS-20, at a crazily good price. Depending upon the position of the Sustain knob and other elements within the patch, all manner of unusual results can be obtained. I would like to say that the Mini's envelopes imitated the MS20's and, for EG1, this was true. Additional modules: S&H, patchable VCA, ESP (external signal processor). What's great (in terms of this review, especially) is that our original MS-20 also has the Korg 35 filter, so for comparing the sonics side-by-side it's a perfect setup. Shrunk to 86 percent of the original’s size, it retains the two oscillators with ring modulation, envelope generators with delay/hold, and patch cord programming. Then, in 1978, the Korg MS20 appeared. Korg claimed in 1978, and still claim today, that this allows players to use the MS20 as a guitar synthesizer, but the ESP was always of dubious performance, and it was difficult to get it to track anything without glitching. Launched in 2004, the Korg Legacy Collection included a software emulation of the MS20. So far, so good, but if you now turn to the top line of modules and sockets on the patch panel, you'll see that there's no way to divert the audio signal from its predetermined VCO/VCF/VCA path. Arguments have raged for years about the pros and cons of these, but almost always in favour of the earlier device. Number of oscillators: Two: triangle, sawtooth, variable pulse, noise and 'ring' waveforms. The keyboard is wider and deeper, the chassis is larger, the spacing between the knobs and sockets is greater and, well, you get the picture. Now they have it, with all of its original quirks, qualities and limitations. This isn't daft; adding things such as the A-Ds and D-As necessary for additional control might have compromised the authenticity of the sound. We sincerely hope the MS-20 Mini will spearhead many new Korg analogue synth's/products. The Mini also acts as a basic MIDI to CV and Gate converter, producing the appropriate signals at its Kbd CV Out and Trig Out sockets when you play it via MIDI. The only other germane difference I found was that the VCAs controlling the modulation paths on my MS20 were slightly 'hotter' than those on the Mini. It's not often realised that, in contrast to its keyboard CV inputs, the MS20's Total and Freq inputs were designed to the V/Oct standard. Future Publishing Limited Quay House, The Ambury, Ms-20 mini: bass? The MS-20 mini is so much more than an instrument, it's a sonic journey, an aural adventure! Plus you can actually span a greater distance than on the original, making jumping octaves easier. Some people claim that no-one has any problems playing mini-keyboards, but that's bollocks. When you press a key, the contour sweeps the filter up from below the programmed cutoff frequency, reaches its zenith some way above it (unless S=10), and then decays back to the Sustain level. 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